Ken Burns has evolved into more than a historical storyteller; he represents an institution, a prolific creative force. With each new documentary series arriving on the PBS network, everyone seeks his attention.
Burns has done “an astonishing number of podcasts”, he notes, wrapping up of his extensive publicity circuit comprising 40 cities, dozens of preview events and hundreds of interviews. “There seems to be a podcast for every citizen, and I believe I’ve appeared on most of them.”
Fortunately Burns is a force of nature, equally articulate in interviews as he is productive while filmmaking. At seventy-two has traveled from prestigious venues to mainstream media outlets to talk about a career-defining series: his Revolutionary War documentary, a monumental six-part, 12-hour documentary series that occupied ten years of his career and arrived recently on PBS.
Like slow cooking amidst instant gratification culture, Burns’ latest project intentionally classic, more redolent of historical documentary classics than the era of online content new media formats.
But for Burns, whose entire filmography documenting American historical narratives spanning various American subjects, its origin story represents more than another topic but foundational. “I said this to my co-director Sarah Botstein during our discussions, and she shared this view: this represents our most significant project Burns reflects from his New York base.
Burns and his collaborators and screenwriter Geoffrey Ward drew upon numerous historical volumes and primary source materials. Multiple academic experts, spanning age and perspective, provided on-air commentary together with prominent academics covering various specialties such as enslavement studies, indigenous peoples’ narratives and the British empire.
The style of the series will seem recognizable to fans of historical documentaries. The characteristic technique featured slow pans and zooms through archival photographs, abundant historical musical selections featuring talent interpreting primary sources.
Those projects established the filmmaker cemented his status; a generation later, currently the elder statesman of documentary filmmaking, he can apparently summon any actor he chooses. Participating with Burns during a recent appearance, renowned playwright Lin-Manuel Miranda noted: “When Ken Burns calls, you say ‘Yes.’”
The lengthy creation process also helped in terms of flexibility. Sessions happened in studios, at historical sites using online technology, a tool embraced throughout the health crisis. Burns explains collaborating with actor Josh Brolin, who made time during his travels to perform his role portraying the founding father before flying off to other professional obligations.
Additional performers feature numerous acclaimed actors, established Hollywood talent, diverse creative professionals, multiple generations of actors, celebrated film and stage performers, international acting community, skilled dramatic performers, small and big screen veterans, and many others.
Burns adds: “Truly, this might be the most exceptional group recruited for any project. Their contributions are remarkable. They’re not picked because they’re celebrities. It irritated me when questioned, regarding the famous participants. I go, ‘These are actors.’ They represent global acting excellence and they animate historical material.”
Nevertheless, no contemporary observers remain, photography and newsreels required the filmmakers to rely extensively on historical documents, integrating the first-person voices of numerous historical characters. This allowed them to show spectators beyond the prominent leaders of the founders along with multiple who are seminal to the story”, many of whom lack visual representation.
The filmmaker also explored his individual interest for territorial understanding. “I have great affection for cartography,” he notes, “featuring increased geographical representation throughout this series versus earlier productions across my complete filmography.”
The team filmed at numerous significant sites across North America plus English locations to capture the landscape’s character and worked extensively with historical interpreters. All these elements combine to present a narrative more brutal, complicated and internationally important compared to standard education.
The documentary argues, was no mere parochial quarrel over land, taxation and representation. Rather, the series depicts a violent confrontation that finally engaged multiple global powers and improbably came to embody what it calls “mankind’s greatest hopes”.
Initial complaints and protests leveled at London by far-flung British subjects in 13 fractious colonies quickly evolved into a brutal civil conflict, dividing communities and households and neighbour against neighbour. In episode two, academic Alan Taylor comments: “The greatest misconception about the American Revolution involves believing it represented a consolidating event for colonists. It leaves out the reality that Americans fought each other.”
In his view, the independence account that “typically is drowning in sentimentality and nostalgia and lacks depth and insufficiently honors the historical reality, all contributors and the extensive brutality.
The historian argues, an uprising that declared the world-changing idea of fundamental personal liberties; a bloody domestic struggle, dividing revolutionaries and royalists; and a global war, the fourth in a series of conflicts between Britain, France and Spain for the “prize of North America”.
Burns additionally aimed {to rediscover the
Elara Vance is a tech journalist with over a decade of experience covering emerging technologies and consumer electronics.