A new initialism emerged a few months after the start of Israel’s bombardment of Gaza. Labeled WCNSF, it means “Injured child with no living relatives”. This term is found only in Gaza, according to medical experts like child health specialists. Normally, it is unusual for physicians to care for a young patient who has been bereaved of their entire family. But, there has been nothing “normal” concerning the devastating conflict in Gaza, where whole bloodlines have been wiped out and the number of children who have lost limbs exceeds that of any other place in the world. Nothing ordinary about scores of doctors coming back from a sea of ruins with reports of children being deliberately targeted.
The Gaza Strip continues to be an utter catastrophe. Vital medicines and equipment are being blocked those in need, and international watchdogs contend that atrocities are continuing. Authorities rejects these accusations, consistent with how it denies each claim it is implicated in. But while grieving children who lost parents are now suffering from the cold in temporary shelters, there is some ostensibly positive news: nothing is going to stop the Eurovision song contest from advancing its declared purpose of “togetherness and cultural exchange.” Eurovision will continue to extend a welcoming platform for Israel, despite the fact that at least four European countries have now pulled out in protest. And this, we are told, is what unity looks like.
Historically, Eurovision banned Russia from taking part in 2022 because of the “serious conflict in Ukraine”. Yet the conflict in Gaza appears to be entirely distinct.
Forget the fact that Israel was accused of unfair vote practices last year in what seems to have been an bid to inject politics into Eurovision. Forget the fact that a young child was allegedly fatally struck in Gaza recently. Pay no mind to the evidence that settler violence and forced displacement in the West Bank have surged. Overlook the situation that international journalists are still prevented from freely reporting in Gaza. This entire context, evidently, should be seen as a barrier of Eurovision’s self-proclaimed spirit of unity.
Eurovision turns 70 next year – almost double the projected longevity of an individual in Gaza today. The event will proceed, but it will likely never recapture the camp joy it historically embodied. An institution that once promoted peace has devolved into a blatant mechanism to whitewash war.
Elara Vance is a tech journalist with over a decade of experience covering emerging technologies and consumer electronics.